JOE'S GARAGE: THE EMOTIONAL DIMENSION
The unlimited popularity of the tonal system in western music has a lot to do with it's capacity, combined with instrumentation and the way music is performed, to translate emotions into music in a for everybody recognisable form. It's also the way most people like to talk about music, often giving highly subjective interpretations of what the music means in their opinion along with it. Sections of music can express feelings of joy, sadness, anger and relaxation. Why this effect exists is usually not very clear. Dissonants and shouting can be associated with anger or tension, but why some melodic lines have the effect of joy and others don't is hardly explainable. It's better to take it for granted that the three downwards played notes of a minor third have the effect of sadness, and composers looking to maximize recognisable emotional impact probably have a good catalogue in their mind of melody types and their effect (compare "Debra Kadabra" from "Bongo Fury" from 2:44 onwards for a minor third effect).
Music can also be on a more emotionally abstract level, but certainly not less emotional, where it becomes difficult to translate the emotions into words other than "expressive" or "intense" and where the emotions seem to rely more on the pleasure of the listening to the music itself. Zappa prefers the more abstract level, confirmed by his unwillingness to take his personal life as the subject of his lyrics. He may talk about his lovely wife and children in "The Real Frank Zappa book", but never on his albums. Zappa's music can be very expressive, but speaking for myself I have no idea how I could describe for instance the guitar solo's on "Shut up 'n play yer guitar" in emotional terms as happiness or tension.
The unlimited popularity of the tonal system in western music has a lot to do with it's capacity, combined with instrumentation and the way music is performed, to translate emotions into music in a for everybody recognisable form. It's also the way most people like to talk about music, often giving highly subjective interpretations of what the music means in their opinion along with it. Sections of music can express feelings of joy, sadness, anger and relaxation. Why this effect exists is usually not very clear. Dissonants and shouting can be associated with anger or tension, but why some melodic lines have the effect of joy and others don't is hardly explainable. It's better to take it for granted that the three downwards played notes of a minor third have the effect of sadness, and composers looking to maximize recognisable emotional impact probably have a good catalogue in their mind of melody types and their effect (compare "Debra Kadabra" from "Bongo Fury" from 2:44 onwards for a minor third effect).
Music can also be on a more emotionally abstract level, but certainly not less emotional, where it becomes difficult to translate the emotions into words other than "expressive" or "intense" and where the emotions seem to rely more on the pleasure of the listening to the music itself. Zappa prefers the more abstract level, confirmed by his unwillingness to take his personal life as the subject of his lyrics. He may talk about his lovely wife and children in "The Real Frank Zappa book", but never on his albums. Zappa's music can be very expressive, but speaking for myself I have no idea how I could describe for instance the guitar solo's on "Shut up 'n play yer guitar" in emotional terms as happiness or tension.
